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The Silver Hearts Play Rain Dogs (Live)

by The Silver Hearts

/
1.
Singapore 02:52
2.
Clap Hands 03:48
3.
4.
5.
6.
7.
8.
9.
Time 04:30
10.
Rain Dogs 03:04
11.
12.
13.
14.
Union Square 02:58
15.
Blind Love 04:10
16.
17.
18.
19.

credits

released January 1, 2005

Brian Sanderson: sousaphone, fiddle, viola, pocket trumpet, vocals, lead vocal on tracks 3 and 14. Charlie Glasspool: piano, organ, trumpet, lead vocal on track 2. Kelly Pineault: accordion, vocals, lead vocal on track 2. Patrick Walsh: harmonicas, castanets, saxophone, lead vocal on tracks 4 and 19. Jesse Pilgrim: theremin, moogs, banjo, lead vocal on track 8. Thomas Reader: bass trombone, percussion, lead vocal on tracks 1 and 5. Mike Bégin: pedal steel, dobro, electric, guitar, guitorgan, lead vocal on track 16. Wyatt Burton: electric guitar, thumb piano guitar, lead vocal on tracks 6 and 17. Trevor Davis: acoustic guitar. lead vocal on tracks 10 and 13. Jay Peters: percussion, drums, lead vocal on track 9. Sam Alison: upright bass, banjo

All songs written by Tom Waits except for track 8, written by Kathleen Brennan and Tom Waits. Jalma Music (ASCAP).

Produced by James Greenspan and John Gilbert
Recorded on location by Lurch at Broadcast Lane Studios Mobile.
Tracks 11, 13, 18 recorded by Todd Cutler.
Mixed and mastered by John Gilbert for Eastside Westside Productions.
Graphic design and Illustrations: Jean Chin
Executive Producers: James Greenspan, Jason Kimelman, Steven Silverberg.

Special thanks and love to Carole and Sam Greenspan, Chris Drosses, Doris Miller, Eileen Costello, Erica Silver, Jody Kimelman, The Kimelman family, Kathy Bennett, Lauren Charyk, Melissa and Kat, Nancy and Aaron, Robbie Roth and family, the Silverberg family.

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The Silver Hearts Peterborough, Ontario

Ensconced as the house band at the ancient, ramshackle tavern The Montreal House, the band attracted old friends and grew from a duo, to a quintet, to an anarchic horde of over a dozen players and singers, bringing a dark, absurdist edge to their reworkings of blues, country and tin-pan-alley music, and tore into originals, standards and contemporary covers with equal ferocity and grim glee. ... more

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